physical intelligence
Breaking through the separation between body and mind, such as those still frequently existing in the visual arts or other areas in the cultural production , consciously or unconsciously, has been a returning point in my work. To speak in Deleuzian terms, in my research i have the extreme will and desire to develop a deterritorializing movement. In my opinion, introducing a separation between form and content, is likewise a separation between body and mind, and it impedes an uninhibited reception, a substantial perception, of the visual arts.
This artificial separation impedes an unbiased traveling through a piece of art, a nomadic interpretation of connections, the experience of a rhizomatic identity: continuously growing, continuously open, searching for other identities, not from out one fixed point, but consciously developing from out a multiplicity of location, based on the fact of more identities.
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